ART 225 01 CRN 51073
Illustration
Illustration
Professor
David Zeggert
LOCATION:
AT 217
EMAIL:
Zeggertdp@sunybroome.edu
607
768 3868 call until 9 pm
Office
hours will be posted on my office door AT 217 and Old Science
Monday & Wednesday, 10:00 am-12:50 am
Monday & Wednesday, 10:00 am-12:50 am
Course description:
Illustrators
are skilled artists versed or acquainted in visual story telling. The
successful illustrator can work in a variety of media to express meaningful
concepts, but first he or she must be able to grasp that meaning of the text
and/or content to be successful.
My
mission is to introduce you to the different facets of illustration, and help
develop technical and conceptual picture making skills. We will examine past and present illustrators
for inspiration and direction including the areas of problem solving, color,
composition and illustrative styles.
At
the core of this illustration class is the idea or concept. In addition and equally
important as developing your illustrative concepts is refining your drawing
skills. We will refine your eye-hand
facilities and use the creative process to solve visual problems. You will have the opportunity to work from
life and from pure imagination. You will
learn how to interpret, and develop your artistic sensibilities, and go through
the stages to create finished illustrations that visually connect to the viewer
and communicate your ideas.
Course Objectives:
To
learn through discovery, application, and analysis of classroom concepts, online
sources and text.
Learning
to see, visualize and create with tools/skills acquired in class.
In short, hone your skills and become a better illustrator.
In short, hone your skills and become a better illustrator.
Assignments
will include reading text, research, discussion and finish with a critique. We
will use a creative process to solve each assignment.
Most
classes will be divided into several parts, studio, assignments and critique. Drawing
and creating will be at the core of the class with a strong emphasis on mastering
the tools of the trade (listed in the supply list).
To
introduce you to and/or refine rendering skills, understanding and stating
value, shape, form, and color temperature.
I
expect you to venture from your safe zone, both in ideas and technique. We will critique in class and revisions will
be part of the process.
Learning Outcomes:
Investigate
process and restate.
Apply
the creative process to explore ideas and the development of an idea
Discover
illustration as an expressive art form
Develop
a eye hand facility and the ability to judge
Utilize
the elements and principles of design.
(Line,
Shape, Value, Texture, Color / Light, Text, Balance, Unity, Rhythm, Repetition,
Variation, Pattern)
Explore
graphite and paint as a medium to establish value and depth
Implement
the principles of visual representation
(composition,
drawing, value contrast, value transitions, tone, and color harmony)
Solve
compositional problems (appropriately compose form so that it advances your
picture)
Implement
various drawing techniques, including various methodologies of picture making
Recognize
notable contemporary and historical artists/drawers
Apply
knowledge acquired in relation to drawing and as a foundation to other art
forms artist pursuits
When you have completed the course you
will:
Understand
illustration as a medium that communicates, have acquired the basics that
provide a strong drawing foundation, explored various media, be familiar with
past and present illustrators, become a member of a very prestigious drawing
tree.
Expectations:
You
are expected to positively participate in the class, improve your skill level,
and apply yourself.
You
are expected to be creative thinkers, problem solvers and resourceful.
Plagiarism:
Please review the link below, 3.14 Academic Honesty policy applies to the unauthorized use of visual elements in the context of this class. Simply put, create all your work.
https://www.sunybroome.edu/web/www/search-results?q=plagiarism
Please review the link below, 3.14 Academic Honesty policy applies to the unauthorized use of visual elements in the context of this class. Simply put, create all your work.
https://www.sunybroome.edu/web/www/search-results?q=plagiarism
Grading:
The
bulk of your grade will be based on the major assignments (see projects). I expect improvement this semester, no matter
what your skill level is at the beginning of the course. You will be evaluated on your skill, and
attitude and effort as well. The process
is as valuable as the idea and technique and your growth as an artist can be
measured very broadly. I will be
available for continuous advice, either by email phone or office hours. Call no
later than 9 pm. Email and office hours are preferred.
If
you need to discuss your grade, see me during office hours or send me an email.
I will not use classroom time to discuss
your grade.
Classroom grade:
The
classroom grade equals four categories based on expectations. The categories
are 25 points each. It will be factored
into your project grades at the midterm and/or the end of the semester. You will complete at least four or five
projects so this grade does carry weight, (i.e., if your facilities are not as
developed as others the classroom grade may help boost your overall grade).
Midterm:
If
needed, we will review your
progress, areas to improve and attendance.
Projects:
Each
assignment will have different expectations and aspects to it, some assignments
will be written, some will be articulated to you, requiring you to take notes.
Some will have conceptual demands, others might have skill demands and others
may have a deadline demand. You will be
graded on the aspects of each assignment as it applies, similar to the point
system mentioned above. The project grade and classroom grades will equally
factor in to make up your final grade.
Lateness:
This
is critical, simply put, if you miss a deadline, you could lose 50 points off
the final grade. Defined, the project needs to be complete at the start of the
class the day it’s due, no exceptions.
Attendance:
The
class meets nearly 30 times. I will give you two unexcused absences.
The third miss is an automatic failure. The attendance policy is a no tolerance policy. Chronic lateness may add up to an unexcused absence.
The third miss is an automatic failure. The attendance policy is a no tolerance policy. Chronic lateness may add up to an unexcused absence.
If
you have perfect attendance your grade will curved up to the next letter grade.
If
you miss a class it becomes your responsibility to get the information from
that class. I suggest you make arrangements with another student. I’m not going to use class time to bring you
up to date.
If
life interrupts your school schedule, let me know and we can make arrangements.
You must complete all assignments to pass this course.
Don’t abuse this privilege. We ll go over absences at the mid-term meeting
Don’t abuse this privilege. We ll go over absences at the mid-term meeting
but,
YOU ARE RESPONSIBLE FOR KEEPING TRACK OF the classes you missed
Remember
not to make appointments during class time.
You
are expected to remain in the classroom for the entire class period, unless
other instruction is given, leaving early will be counted as a missed class.
Online component: Links of interest
This
is required. Students are required to email
me at: zeggertdp@sunybroome.edu-
By sending me your email address and if needed, this allows me to develop an email group of the class to be used for updates and/or inform of a class cancelation.
By sending me your email address and if needed, this allows me to develop an email group of the class to be used for updates and/or inform of a class cancelation.
Listed
below are several sites of interest. Moving
forward through the semester and relative to what we are studying, I may email
you more links or post them on our blog.
Read/research:
Students
will be required to visit the following web sites below.
http://www.societyillustrators.org
http://www.vilppustudio.com/
http://www.artchive.com/
http://artrenewal.org/
Painting definitions:
Portrait resources:
http://www.portraitsociety.org/
http://www.artspan.com/portraiture
http://www.portraitartist.com/
Your
success is my goal!!
Supplies:
Use
this link
Camera (not required):
Point
and shoot, digital Canon or Nikon coolpixs suggested,
a
good camera phone is okay
Clean up:
Mineral
Oil: CVS
Projects:
Supply list completed. Due Wednesday 02/05 (for a grade)
Project: (MMC) illustration Due: TBA
Project: TBA
Midterm Evaluation if needed
Project: Self-portrait reflected or TBA
Project: Famous portrait or TBA
Project: Famous portrait or TBA
DATE week
1 CONTENT
Class 1
Class 1
Introduction,
cover syllabus, complete bios. course overview
HW: Select an illustration from http://www.richardsolomon.com/
Print
the image in color and be prepared
to discuss the work including the illustrator and what you discovered from the
illustration. Identify and write a
statement that supports why you selected the artist or image. The content of the statement should explain in
detail your reasons for your choice. In
addition, the selection can be based on intuition and the statement could
include your rationale for your choice.
(Due Wednesday for a grade)
HW: Send me your email address with
bio.
Note Art 225 in subject line
Note Art 225 in subject line
READ:
Painting Definitions:
(continuous
through the semester)
DATE week
1 CONTENT
Class 1
Introduction
Class 2
Discuss selected illustration, carry over if needed.
Introduction
Class 2
Discuss selected illustration, carry over if needed.
DATE week
2 CONTENT
Class 1
Review Creative process-
Assignment one: (size: 15 x 20 inches)
10 thumbnails in Relative proportion due next class, start listing (Due next class)
Review Creative process-
Assignment one: (size: 15 x 20 inches)
10 thumbnails in Relative proportion due next class, start listing (Due next class)
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